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Sylvère Lotringer : ウィキペディア英語版
Sylvère Lotringer

Sylvère Lotringer (born in 1938 in Paris, France) is a literary critic and cultural theorist. A younger contemporary of Gilles Deleuze, Félix Guattari, Jean Baudrillard, Paul Virilio and Michel Foucault, he is best known for synthesizing French theory with American literary, cultural and architectural avant-garde movements through his work with Semiotext(e); and for his interpretations of French theory in a 21st-century context. An influential interpreter of Jean Baudrillard's theories, Lotringer invented the concept "extrapolationist" as a means of describing the hyperbolic world-views espoused by Baudrillard and Paul Virilio. Lotringer is a Professor of Foreign Philosophy at the European Graduate School in Saas-Fee, Switzerland, and a Professor of Art Theory at the Institute for Doctoral Studies in the Visual Arts (IDSVA), where he teaches ethico-aesthetics.
==Life and work==
Sylvère Lotringer was born to Polish-Jewish immigrants who fled Warsaw for France in 1930. His early life was marked by the Nazi occupation of Paris, which — like his contemporaries Georges Perec and Sarah Kofman — he spent as a "hidden child" with documents forged by the French Resistance.
As an interpreter of French theory, Lotringer has sought to contextualize the pre-modernist origins of "postmodern" French thought. Writing about Jean Baudrillard's childhood, Lotringer reminds us just how far his generation has traveled to reach ''The Matrix''. He recalls the 11-year-old Jean and his grandparents riding an oxcart loaded with mattresses from Reims to Paris during the massive evacuation of the French populace that marked the onset of the War.
In 1949, Lotringer immigrated to Israel with his family and returned to Paris the year after to join the left-wing Zionist movement Hashomer-Hatzair (The Young Garde) and became one of its leaders. He left the movement eight years later.
In 1957, while still at the lycée, Lotringer joined the editorial collective of ''La Ligne Generale'' headed by Georges Perec. Taking its name from Sergei Eisenstein's famous film ''The General Line'', this group of brilliant young Jewish men favored Hollywood westerns, slapstick and pre-Stalinist communism. The project was praised by Henri Lefebvre but strongly criticized by Simone de Beauvoir, who found it "politically irresponsible".
Entering the Sorbonne in 1958, Lotringer created ''L’Etrave'', a literary magazine, and contributed to ''Paris-Lettres'', the journal of the French Students' Association (1959–61). As President of the Sorbonne, he led mobilizations against France's colonial Algerian war. In 1964, he entered the École Pratique des Hautes Etudes, VIe section (Sociology) writing a doctoral dissertation on Virginia Woolf's novels under the supervision of Roland Barthes and Lucien Goldmann. His work was aided by his friendship with Leonard Woolf and his acquaintance with T.S. Eliot and Vita Sackville West, with whom he conducted interviews published in Louis Aragon's journal ''Les Lettres Francaises'', for which Lotringer served as a correspondent for ten years.
Avoiding French military service in Algeria, Lotringer spent 1962 in the US and two years (1965–67) teaching for the French Cultural Services in Erzurum, Turkey. He finally returned to the US via Australia in 1969 with a teaching appointment at Swarthmore College. He joined the French and Comparative Literature Faculty at Columbia University in 1972, where he is Professor Emeritus.

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